{"title":"The $50 to $100 Edit","description":"\u003cp\u003eThoughtfully priced gifts, hand-wrapped and sealed with wax. The $50 to $100 Edit.\u003c\/p\u003e","products":[{"product_id":"white-crochet-handmade-cotton-cushion-cover","title":"White Crochet Handmade Cotton Cushion Cover","description":"\u003cp\u003e\u003cem\u003eIn the Godavari district of Andhra Pradesh, nearly a lakh women artisans support their families through crochet lace work, a craft introduced by Irish missionaries in the 1800s, transformed over 150 years into something distinctly, irreversibly Indian. The white lattice on this cover was made by their hands, hook by hook, loop by loop.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe crochet tradition of the Godavari region began as a colonial introduction and became something else entirely, a livelihood, a community, an artisanal art form passed from mother to daughter across six generations of women artisans. 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The crochet lace border along the hem is handmade, each loop placed by hand, adding a weight and warmth you feel before you see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePure cotton, woven in a colour-block that earns its place in any room it enters. The body is reversible, a practical decision made by weavers who understood that a household's mood shifts with the seasons. Flip it top-to-bottom and the curtain becomes something else entirely: mustard gives way to a soft off-white finish that holds morning light without competing with it. The handcrafted crochet lace border is not decorative afterthought, it is the craft speaking plainly.\u003c\/p\u003e\u003cp\u003eThis curtain blocks roughly 70% of incoming light, enough to soften a west-facing afternoon without shutting the room down. It hangs from standard rod pockets and moves with the air in a way that synthetic blends do not. 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The impression is never perfectly even. That is the point.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSanganer, a town just outside Jaipur in Rajasthan, has been a centre of hand-block printing for three hundred years. The craftspeople there carve dense geometric and lattice motifs into wooden blocks and press them onto fabric with a rhythm that is partly measurement, partly memory. This jaali pattern, an open lattice that recalls the pierced stone screens of Rajput architecture, arrives here as a handcrafted piece in dusty pink on white cotton, each artisanal print slightly different from the last.\u003c\/p\u003e\u003cp\u003eLay it on a sofa that has seen too many plain covers. Set it against a neutral throw, or pair it with the green-and-dusty-pink jaali for something more deliberate. 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Line dry or tumble dry low.\u003c\/li\u003e\n\u003cli\u003eIron on medium while slightly damp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":51903863947581,"sku":"HOT-CSH-015","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2363\/3213\/files\/lifestyle_1_2db3b711-bb25-487c-a536-83cfc3482b69.png?v=1782989135"},{"product_id":"jaali-green-and-dusty-pink-hand-printed-cushion-cover","title":"Jaali Green and Dusty Pink Hand-Printed Cushion Cover","description":"\u003cp\u003e\u003cem\u003eTwo colours that should not work together, and do, the deep green of a monsoon courtyard against the muted rose of old plaster. This jaali-pattern cushion cover is hand-printed in Sanganer, outside Jaipur, Rajasthan, using carved wooden blocks pressed onto pure cotton. Each repetition of the lattice carries a ghost of the one before it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe jaali is a lattice born in stone, carved into jharokhas and palace screens to let air and light pass through while maintaining the form of the wall. Sanganer artisans have long translated that geometry from stone into fabric, pressing the pattern onto cotton with handmade wooden blocks inked by hand. The green here is the colour of old gardens; the dusty pink the colour of walls that have lived through many summers. Together, they make something quieter than either does alone.\u003c\/p\u003e\u003cp\u003eUse this as the anchor in a mix of printed covers, or let it sit alone on a reading chair. The cotton is unlined and light, suited to rooms that stay warm, and the colours deepen slightly with each wash, not fading, settling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandcrafted · Hand Block-Printed · Pure Cotton · Sanganer, Rajasthan · Jaali Motif\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18 x 18 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCotton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Living Room\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMachine wash cold, gentle cycle.\u003c\/li\u003e\n\u003cli\u003eRemove cushion insert before washing.\u003c\/li\u003e\n\u003cli\u003eWash separately for first two washes.\u003c\/li\u003e\n\u003cli\u003eDo not bleach. 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You notice the print most when the sun is behind it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMulmul cotton is almost transparent by nature, a weave so open it does not so much block light as colour it. These curtains are hand-printed in blue and dusty pink, the wooden block pressed onto the fabric with enough pressure to leave the motif and enough restraint to let the ground fabric read through. The effect at a window is something between a filter and a frame: the room beyond the glass becomes softer, more considered.\u003c\/p\u003e\u003cp\u003eThis panel is cut for windows and tall doorways alike. Hang it where you want the day's light to shift rather than stop, a south-facing room in the afternoon, a bedroom that wakes with the sun, a French door that opens to a garden. The mulmul is featherlight in the hand and moves with any breeze.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand Block-Printed · Mulmul Cotton · Sheer · Light Filtering\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCotton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Draped Window\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMachine wash cold or hand wash in cold water.\u003c\/li\u003e\n\u003cli\u003eWash separately for first two washes to prevent colour transfer.\u003c\/li\u003e\n\u003cli\u003eDo not bleach. Line dry in shade, avoid direct sunlight while drying.\u003c\/li\u003e\n\u003cli\u003eIron on medium while slightly damp for best results.\u003c\/li\u003e\n\u003cli\u003eAvoid tumble drying on high heat.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":51903863980349,"sku":"HOT-CUR-004","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2363\/3213\/files\/lifestyle_1_bbe84263-fece-4889-980d-912d2340f907.png?v=1782989135"},{"product_id":"rust-and-off-white-crochet-bolster-cushion-cover","title":"Rust and Off-White Crochet Bolster Cushion Cover","description":"\u003cp\u003e\u003cem\u003eCrochet lace came to the Godavari river delta in Andhra Pradesh through Irish missionaries in the 1800s. What they introduced as a skill has become, over a hundred and fifty years, the primary livelihood for nearly one lakh women artisans across the Godavari district. This cover, brick rust, off-white, a handmade crochet flap closure, is made by those hands.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe crochet tradition of the Godavari district in Andhra Pradesh is one of India's lesser-known textile inheritances: introduced by missionaries, sustained by women artisans who turned an imported technique into something entirely their own. This handcrafted rectangular cover in rust and off-white arrives with a crochet flap at the closure, not hidden or sewn shut, but featured, the way a craftsperson features what they do well.\u003c\/p\u003e\u003cp\u003eThe proportions are horizontal, suited to a bolster position on a sofa, or laid across the foot of a bed. The rust and off-white combination works against a plain white sofa, a dark linen couch, or a worn leather chair. 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Line dry or tumble dry low.\u003c\/li\u003e\n\u003cli\u003eIron on medium while slightly damp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":51903864930621,"sku":"HOT-CSH-017","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2363\/3213\/files\/lifestyle_1_f8315cb3-f442-4d8d-ab43-bda7d63ea5a1.png?v=1782989160"},{"product_id":"jaali-and-floral-blue-and-dusty-pink-cushion-cover-set","title":"Jaali and Floral Blue and Dusty Pink Cushion Cover Set","description":"\u003cp\u003e\u003cem\u003eThe Royal Courtyards Collection draws from a familiar image: a haveli courtyard in Rajasthan, mid-morning, the light coming through a carved stone jaali in slats. These covers, two jaali patterns, one floral, all hand-printed in Sanganer outside Jaipur, hold that geometry in cotton. The jaali is an old motif. It has not run out of things to say.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThree covers, two motifs, one palette. The blue and dusty pink combination here reads at the intersection of something Rajput and something quieter, not a costume, not a statement, but a considered presence on a sofa or daybed. Two of the covers carry the jaali lattice pattern, hand-printed in Sanganer, outside Jaipur, Rajasthan; one carries a floral. Together they do not match so much as they correspond.\u003c\/p\u003e\u003cp\u003eSanganer artisans have been printing on cotton with carved wooden blocks for generations. The blocks are pressed by hand, inked one colour at a time, aligned by eye. The result is a pattern with slight variations across each cover, the repeat is the same, the impression is never quite identical. 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That is not a flaw.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThese sheer curtains are hand-printed in Sanganer, outside Jaipur, Rajasthan, a craft centre synonymous with artisanal block-printing on fine textiles. The palette here is autumnal: rust, mustard, taupe, the colours of marigold at different points in its life. Carved wooden blocks carry the motif onto mulmul cotton, a weave so open that what is printed on one face reads differently when light passes through from behind.\u003c\/p\u003e\u003cp\u003eHang these at a window that faces garden, or a doorway where you want to separate two spaces without closing them off. They filter more than they block, creating a layered quality of light that heavier curtains cannot. 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The colour block at the hem is the signature of the weave itself, not applied.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis curtain is woven, not printed, in pure cotton, the navy and off-white built into the structure of the fabric through the weave rather than applied on top. The colour block design comes from the loom, which means the colour sits differently at different angles: the navy reads deeper in raking light, the off-white warmer at dusk. The top-to-bottom reversible construction means one curtain functions as two, each orientation changing the room's register.\u003c\/p\u003e\u003cp\u003eThe semi-blackout construction blocks approximately 70% of incoming light, enough for a south-facing bedroom, enough to cut afternoon glare in a living room without shutting it down. 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Over one hundred and fifty years, what was introduced became something entirely indigenous, practised today by nearly one lakh women artisans for whom it is the primary livelihood. This floret-pattern cover is made by those hands.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA white crochet cushion cover made entirely by hand by women artisans in the Godavari river district of Andhra Pradesh. The floret pattern, a repeating circle of petals worked in white cotton, is not embroidered after the fact; it is built loop by loop, each floret connected to the next in the working. This is what makes crochet distinct from other surface treatments: the structure and the pattern are one thing, not two.\u003c\/p\u003e\u003cp\u003eWhite cotton crochet sits easily in most rooms. It lightens dark sofas. It creates texture on a plain white couch without adding colour. It works in a bedroom as a layered element over linen or against warm-toned cushions. 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The rust red panels at the sides are not accents, they are the structure.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNavy blue, hand-block printed with florals drawn from the artisanal Chintz tradition, with rust red panels interwoven into the side borders. This is a curtain that makes its presence felt in a doorway, the navy is deep enough to function as a visual anchor, the rust warm enough to keep the whole thing from reading cold. The florals are applied using carved wooden blocks, the cotton is pure and unlined, and the 50% light blocking weight means the room is not sealed but softened.\u003c\/p\u003e\u003cp\u003eThis handmade curtain belongs in a room with other considered things. A wooden dining table. A woven chair. A single piece of metalware on a shelf. 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The artisans carve their blocks with botanical precision, each petal, each stem, each leaf given its specific shape, and press them onto cotton in a sequence that is partly calculation, partly feel. This handcrafted cover in green and dusty pink carries that precision.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe floral motif here differs from the jaali pattern in the same collection: where the jaali is geometric and latticed, the floral is organic, the lines soft and directional. Both are handmade and hand-block printed in Sanganer, outside Jaipur, Rajasthan, using carved wooden blocks on pure cotton. The green and dusty pink palette places this cover at the quieter end of the botanical spectrum, not a garden, but the memory of one.\u003c\/p\u003e\u003cp\u003eThis cover works as a single statement on a neutral sofa, or paired with the jaali covers in the same palette for a sofa arrangement that has variety without chaos. The cotton is unlined and breathable. 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The difference in motif across the set creates the kind of variation that comes from a single artisan working across different blocks, related, not matching.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA set of three cushion covers that work from the same palette, green and dusty pink, across two motifs: the geometric jaali lattice and the organic botanical floral. Both are hand-block printed in Sanganer, outside Jaipur, Rajasthan, using carved wooden blocks on pure cotton. The logic of the set is not matching but corresponding: two pieces that share their structure (the jaali), one that offers its counterpoint (the floral).\u003c\/p\u003e\u003cp\u003eArranged on a sofa, the three covers read as curated. Used singly, each piece is complete. The cotton is breathable and unlined. The green here is not vivid, it sits somewhere between sage and forest, a colour that does not demand attention but holds it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand Block-Printed · Pure Cotton · Sanganer, Rajasthan · Mixed Motif Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18 x 18 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCotton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Living Room\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMachine wash cold, gentle cycle.\u003c\/li\u003e\n\u003cli\u003eRemove cushion insert before washing.\u003c\/li\u003e\n\u003cli\u003eWash separately for first two washes.\u003c\/li\u003e\n\u003cli\u003eDo not bleach. 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Each cover is handmade and hand-block printed using carved wooden blocks on pure cotton, by artisans who work in a tradition three centuries old.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFive cushion covers in blue and dusty pink, hand-block printed in Sanganer, outside Jaipur, Rajasthan, the block-printing capital of Rajasthan. Three carry the jaali lattice motif, two carry the floral. The difference in scale and character between the two motifs means the set has variation built in: the jaali is structural and geometric, the floral organic and directional. Together they constitute a language, not a pattern.\u003c\/p\u003e\u003cp\u003eThe cotton is pure and unlined. Arranged across a large sofa, the five covers occupy space without crowding it. Used across two sofas or mixed with plain covers, each handcrafted piece holds its own. The blue is not bright, it reads closer to indigo than cobalt, which is what gives it its staying power alongside the dusty pink.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand Block-Printed · Pure Cotton · Sanganer, Rajasthan · Artisanal Mixed Motif Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18 x 18 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCotton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Living Room\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMachine wash cold, gentle cycle.\u003c\/li\u003e\n\u003cli\u003eRemove cushion insert before washing.\u003c\/li\u003e\n\u003cli\u003eWash separately for first two washes.\u003c\/li\u003e\n\u003cli\u003eDo not bleach. 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Two very different craft traditions, one object.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAjrakh is one of India's oldest surviving textile traditions, a resist-print technique practised in Kutch, Gujarat, and parts of Sindh, involving natural dyes and mud resist applied in careful sequence before washing reveals the pattern underneath. This cushion cover works from that tradition in green and indigo, the classic Ajrakh palette, and then adds hand-embroidered mirror work across the face, small pieces of glass set into the cloth by needle and thread, catching light and reflecting the room back at itself.\u003c\/p\u003e\u003cp\u003eThe mirrors are not decorative in the way that a bead or sequin is. They are embedded in the fabric, part of its structure, and they shift with the cover rather than sitting on top of it. The cotton is pure, the embroidery dense enough to be visible from across a room. 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The colour block where they meet is the curtain's quiet signature.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA reversible door curtain woven in pure cotton, maroon on one orientation, off-white on the other, the meeting point marked by a colour block that reads as deliberate rather than transitional. The weave structure means the colours are embedded in the fabric rather than applied to its surface: they sit differently in morning light than in artificial light, the maroon warming, the off-white cooling. Seventy percent light blocking puts this curtain in the category of heavy function without full blackout.\u003c\/p\u003e\u003cp\u003eThis curtain suits a bedroom doorway, a living room entrance, or anywhere that needs both privacy and flexibility. Flip it when the season changes, or when the room does. 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Line dry in shade, avoid direct sunlight while drying.\u003c\/li\u003e\n\u003cli\u003eIron on medium while slightly damp for best results.\u003c\/li\u003e\n\u003cli\u003eAvoid tumble drying on high heat.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":51903867158845,"sku":"HOT-CUR-008","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2363\/3213\/files\/lifestyle_1_c9913a5d-b2ed-4b45-8051-ebcce8b00aae.png?v=1782989236"},{"product_id":"ajrakh-brick-red-embroidered-cushion-cover","title":"Ajrakh Brick Red Embroidered Cushion Cover","description":"\u003cp\u003e\u003cem\u003eBrick red and indigo sit at the heart of the Ajrakh palette, colours that come from natural dye sources (madder for the red, indigo plant for the blue) applied through a resist-printing process practiced in Kutch, Gujarat. This cushion cover is Ajrakh-printed in brick red and finished with hand-embroidered mirrors: each small piece of glass sewn individually into the cloth, catching the room's light from a different angle.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBrick red against indigo, the two colours of Ajrakh at their most direct. Ajrakh is a resist-print tradition from Kutch, Gujarat, a technique involving natural dyes and mud resist applied in precise sequence, washed and dried repeatedly until the pattern holds. This cushion cover is made in pure cotton using that artisanal process, then finished with hand-embroidery: mirrors sewn individually into the fabric, not glued, not attached with adhesive, but needle-worked in.\u003c\/p\u003e\u003cp\u003eThe brick red is warm and grounded. The mirrors catch whatever light is in the room, afternoon sun, a lamp at evening, and return it in small bright points. This is a handmade cushion that changes with the day. 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Line dry or tumble dry low.\u003c\/li\u003e\n\u003cli\u003eIron on medium while slightly damp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House of Taraasha","offers":[{"title":"Default Title","offer_id":51903867191613,"sku":"HOT-CSH-026","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2363\/3213\/files\/lifestyle_1_8ad2f793-c9f2-488a-86da-ae8df32e249f.png?v=1782989236"},{"product_id":"chintz-ivory-maroon-and-navy-blue-cushion-cover","title":"Chintz Ivory, Maroon and Navy Blue Cushion Cover","description":"\u003cp\u003e\u003cem\u003eIvory, maroon and navy, a Chintz palette that reads as if it has always existed, because in a sense it has. The Chintz tradition of block-printing on cotton, practiced in India centuries before it was copied in Europe, worked regularly in these deep, layered hues. This cushion cover is hand-block printed in that tradition, the florals applied using carved wooden blocks, the cotton pure and unlined.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Chintz tradition begins in India, a dense, multi-colour floral print on cotton that travelled to Europe through trade routes and was imitated so successfully that the Indian original was eventually forgotten. This cushion cover reclaims that lineage: ivory, maroon and navy in an 18th-century floral motif, hand-block printed using carved wooden blocks by artisans who work in a tradition their craft heritage pre-dates.\u003c\/p\u003e\u003cp\u003eThe three-colour palette is more complex than it looks from across the room. The ivory holds the maroon and navy apart, giving each colour space to read. The florals are dense and directional, drawing the eye across the surface rather than fixing it at one point. This cover holds its own on a neutral sofa and earns its place in a more layered room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand Block-Printed · Pure Cotton · Chintz Tradition · Floral Motif\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16 x 16 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePure Cotton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Living Room\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eCare Instructions\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMachine wash cold, gentle cycle.\u003c\/li\u003e\n\u003cli\u003eRemove cushion insert before washing.\u003c\/li\u003e\n\u003cli\u003eWash separately for first two washes.\u003c\/li\u003e\n\u003cli\u003eDo not bleach. 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At a window, it is barely there until the light comes through it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMulmul cotton is a weave defined by its absence of weight, open-structured, almost transparent, it does not intercept light so much as receive it. This handcrafted sheer curtain is hand-block printed in taupe and olive green in Sanganer, outside Jaipur, Rajasthan, using carved wooden blocks carrying a marigold motif. The palette is restrained, closer to the earth tones of a dry landscape than the saturated hues of most Indian textiles, which makes the curtain suited to rooms that already have warmth and need a frame rather than a colour.\u003c\/p\u003e\u003cp\u003eHang this at a window that faces a garden, a terrace, or another room. The taupe and olive green shift depending on what light passes through them, morning brings one reading, late afternoon another. The mulmul weighs almost nothing. 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The artisans work with carved wooden blocks pressed onto pure cotton, the jaali block first, then its registration, then the floral block in a different sequence. Five pieces, all related, none identical.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFive cushion covers, three jaali and two floral, in green and dusty pink hand-block printed by artisans in Sanganer, outside Jaipur, Rajasthan, a town that has defined block-printing on cotton for three centuries. The jaali lattice and the botanical floral are the two primary motifs in this collection. At five pieces they create a sofa arrangement that has movement across it: the lattice pattern carries geometry, the floral carries softness, and the shared palette holds them together without making them matchy.\u003c\/p\u003e\u003cp\u003eThe cotton is pure and unlined. The five covers can be used as a sofa set, split across two sofas, or rotated so that different combinations lead at different times. 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That is its nature.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMulmul cotton exists at the meeting point of fabric and air. Woven fine enough to be translucent, it softens light rather than stopping it, the pink and off-white botanical prints hand-pressed onto this curtain become luminous against a window in full afternoon sun. Each handcrafted block-print repeat carries the slight variation of a hand at work: no two drops identical, no pattern mechanical.\u003c\/p\u003e\u003cp\u003eHang this where you want softness without sacrifice of pattern. A bedroom window, a doorway between rooms, a sitting room that faces west. At dusk, the pink shifts toward apricot. 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